In my earlier sculptural works I have used “Padma Peeta” (the lotus seat) a common base for idols of worship in Indian Iconography. The same pattern of “Padmapeeta” is recurring in my works. I see this as a iconographical tool to place the Important, Deified objects and the Absolutes and so on… a pedestal or frame for something that should be brought to notice.
In these mirrors it becomes a way of representing the divinity in everything and everyone seen in the reflection.
Siri Devi Khandavilli