In my earlier sculptural works I have used “Padma Peeta” (the lotus seat) a common base for idols of worship in Indian Iconography. The same pattern of “Padmapeeta” is recurring in my works. I see this as a iconographical tool to place the Important, Deified objects and the Absolutes and so on… a pedestal or frame for something that should be brought to notice.

In these mirrors it becomes a way of representing the divinity in everything and everyone seen in the reflection.

Siri Devi Khandavilli

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